People: Street (AMATEUR) - HONORABLE MENTION
Attraction
Photo © Tony Daoulas
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Shadow attract between graphic lines in Bordeaux, La Rochelle and Dubaï.
I work as an assistant director, cameraman and location manager for film project, movies and TV shows since 20 years.
I came about photography in 2011, completely on my own. The first picture that came out of my reflex camera dates back to April 2011. At that time, I were shooting landscapes & seascapes, mostly long exposure, one of my favorite technique. However, telling urban stories based on photographs soon grew inside me as something self-evident. To me, slow shutter speed was still an intriguing, fascinating technique which I learned to dominate – exclusively hand-held – in the Paris subway.
I had the pleasure to present a large part of "Paris Underground" series at Salon de la Photo de Paris in 2013.
So there it was, in the Paris underground, that Streetphotography really began for me, back in autumn 2012. The subway’s pervasive graphic settings brought the canvas to tell my human, urban stories. By early 2013, I came out of the subway to shoot the street and its 2 “actors”, Man and Setting. The use of wide angle framing is deliberate, as a way to grant its importance to the setting – often a graphic one. For me it is as crucial a component as the character – often a single one – to build the picture and provide context to the scene.
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Shadow attract between graphic lines in Bordeaux, La Rochelle and Dubaï.
About author:
Self-taught photographer, I live in Bordeaux (France).I work as an assistant director, cameraman and location manager for film project, movies and TV shows since 20 years.
I came about photography in 2011, completely on my own. The first picture that came out of my reflex camera dates back to April 2011. At that time, I were shooting landscapes & seascapes, mostly long exposure, one of my favorite technique. However, telling urban stories based on photographs soon grew inside me as something self-evident. To me, slow shutter speed was still an intriguing, fascinating technique which I learned to dominate – exclusively hand-held – in the Paris subway.
I had the pleasure to present a large part of "Paris Underground" series at Salon de la Photo de Paris in 2013.
So there it was, in the Paris underground, that Streetphotography really began for me, back in autumn 2012. The subway’s pervasive graphic settings brought the canvas to tell my human, urban stories. By early 2013, I came out of the subway to shoot the street and its 2 “actors”, Man and Setting. The use of wide angle framing is deliberate, as a way to grant its importance to the setting – often a graphic one. For me it is as crucial a component as the character – often a single one – to build the picture and provide context to the scene.
BACK TO GALLERY
