Support this photographer - share this work on Facebook.

After the Iron Gate the Danube flows slowly, separating Bulgaria from Romania and accomplishing his last effort to reach the Black Sea.

The Danube is not blue anymore, it carries the history and the consequences of the human actions: communist regimes, violent revolutions and, particularly, industrial and agricultural exploitations. The Danube, an astonishing river that shapes the imaginary of the region, is the liquid metaphor of the changes taking place within the continent.

Romania and Bulgaria are the two countries with the highest number of kilometres on the Danube; they have been also the latest countries to join the European Union. But Brussels is far away from here, and Europe is still a place where to go to find a job or a sign of an unfinished road. Bulgaria and Romania are among the poorest countries in Europe. What does it means to be European here?

Behind the river banks of the Danube, time is frozen in a moment between the present and the 1989. The monuments celebrating the Communist Empire are still standing taken over by the vegetation. The factories that before the 1989 were running at full regime, are now falling apart, everything that could be re-used or sold has been stolen and now these huge buildings occupy the territory like the ruins of a post-apocalyptic time.

In the villages on the hills, in the valleys or in the grasslands the elders live passively, regretting the past that is gone forever, while younger people have already forgot their history, looking to Germany as the model country for Europe.

On the Black Sea, a new rich class spend their time in exclusive and expensive resorts, while in the countryside the farmers barely survive renting the fields to multinational companies; it is where there are the bridges that new business

About author:

Tommaso Rada is an Italian photographer currently living in the north of Portugal, in Braga. His works has been published in several magazines and newspapers such as Financial Time, Der Spiegel, Monocle, Popoli, Popoli e Missioni, Private online edition, Expresso, Helsingin Sanomat, Courrier International, Le Pelerin, Washington Post and Forbes Brazil. He collaborated with Unicef Mozambique, Comunità di Sant’Egidio and Habitat for Humanity Portugal.

Exhibitions
GuatePhoto, Collective Exhibition, Guatemala (2015)
Kolga Tbilisi Photo Festival, Tbilisi, Georgia (2015)
Estação Imagem, Cordoaria Nacional, Lisbon, Portugal (2014)
Estação Imagem, CPF, Porto, Portugal (2014)
Estação Imagem, Cordoaria Nacional, Lisbon, Portugal (2012)
Estação Imagem, CPF, Porto, Portugal (2012)

Awards
Ideas Tap - Magnum Photos Photographer Funds - Longlist (2015)
IPA 2015 International Photography Award - Honorable Mention (2015)
ND Awards - 1st prize Editorial Sport (2015)
ND Awards - 3rd prize Editorial Photo Essay (2015)
MIFA - 3rd prize Sport (2015)
MIFA - 2nd prize Nature Pet (2015)
Fotovisura Grant For Outstanding Multimedia Project - Honorable Mention (2015)
Royal Photographic Society Print Exhibition - Finalist (2015)
Photon Valencia - Finalist / Valencia, Spain (2015)
Kolga Tbilisi Photo Award - Finalist / Tblisi, Georgia (2015)
Estação Imagem - 2nd prize in the "Contemporary Issues" category / Mora, Portugal (2014)
Berlin Month of Photography Portfolio Review - Finalist / Berlin, Germany (2014)
Photon Valencia - Finalist / Valencia, Spain (2014)
Monochrome Awards - Professional Photojournalism Category - Honorable Mention (2014)
Photocraty Fund - Finalist (2014)
International Revela Award - Finalist / Madrid, Spain (2014)
Manuel Rivera-Ortiz Foundation for Documentary Photography Grant - Finalist (2014)
Estação Imagem - 1st prize in the "Environment" category / Mora, Portugal (2012)
AddRetouch Documentary Photography - Finalist / Madrid, Spain (2013)

BACK TO GALLERY